不安

Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubricks last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothys reassuring childish motto theres no place like home is ironically updated to the adult circumstantial adage theres no sex like marital sex. Kubricks take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergmans been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still cant. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergmans Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couples venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesnt dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, its the fairy godmother who speaks the last words in the movie杨幂真去美国堕过胎天涯
影片别名：buan
影片演员：英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
IMDB评分：9.8
总播放次数：167次
电视剧类型：剧情片
不是血亲阿基米德后宫的茶

1、不安在哪个台播出？
极速影院网友回答：不安在腾讯视频、豆瓣视频、芒果TV及爱奇艺都可以在线高清观看
2、网友对《不安》是怎么评价的？
星辰影院网友回答：今天下午看了《不安》的1954首映，很唯美，很温暖，很感人。在看电影的时候 中间有好几幕眼泪都要出来了，影片中语言不多，仿佛什么都没说，但仿佛什么都说了，很喜欢这样的电影。看完之后内心一下被带进去，整个下午到现在很久都没出来。
3、不安什么时候上映？
八戒影院网友回答：该电影是在1954上映的，由导演罗伯托·罗西里尼安排拍摄，上映以来获得了21次点评，在剧情片 中也算是翘楚了、
4、不安在哪个情节是最好看的？
奇优影院网友回答：在中间部分演员英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特演技是相当精湛的，30岁女性在职场尴尬且微妙，既不如新人年轻又不如男性稳定，还随时面临婚育的选择，尽管很多女性有能力却没带项目的经验，换工作又没勇气重新开始，梁友安人间真实
5、不安大结局结尾怎么样？
光棍影院网友回答：总的来说这部电影还是非常不错的，结尾虽然有点出乎意料，但是在这么多剧情片中已经算是非常难得了，IMDB评分9.8不是说说而已的。更多网友问题可以查看豆瓣电影或者百度问答了解详情。