倒计时

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the familys history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, its the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch familys world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffes clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R酒后被同事从后面进去
影片别名：daojishi
影片演员：珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
IMDB评分：2.8
总播放次数：39次
电视剧类型：剧情片
壮志童心独裁者古贺

1、倒计时在哪个台播出？
极速影院网友回答：倒计时在腾讯视频、豆瓣视频、芒果TV及爱奇艺都可以在线高清观看
2、网友对《倒计时》是怎么评价的？
星辰影院网友回答：今天下午看了《倒计时》的1969首映，很唯美，很温暖，很感人。在看电影的时候 中间有好几幕眼泪都要出来了，影片中语言不多，仿佛什么都没说，但仿佛什么都说了，很喜欢这样的电影。看完之后内心一下被带进去，整个下午到现在很久都没出来。
3、倒计时什么时候上映？
八戒影院网友回答：该电影是在1969上映的，由导演大卫·格瑞尼安排拍摄，上映以来获得了610次点评，在剧情片 中也算是翘楚了、
4、倒计时在哪个情节是最好看的？
奇优影院网友回答：在中间部分演员珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德演技是相当精湛的，30岁女性在职场尴尬且微妙，既不如新人年轻又不如男性稳定，还随时面临婚育的选择，尽管很多女性有能力却没带项目的经验，换工作又没勇气重新开始，梁友安人间真实
5、倒计时大结局结尾怎么样？
光棍影院网友回答：总的来说这部电影还是非常不错的，结尾虽然有点出乎意料，但是在这么多剧情片中已经算是非常难得了，IMDB评分2.8不是说说而已的。更多网友问题可以查看豆瓣电影或者百度问答了解详情。