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<<--简介
- 片名：欧洲的某个地方
- 状态：HD中字
- 分类：剧情片地区：其它 年份：1948
- 演员：Artúr Somlay Miklós Gábor Zsuzsa Bánki
- 导演：Radványi Géza
- 语言：其它
- 更新：1999-01-01 12:00:00
- Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a childrens group who created their roles improvisationally in close contact with a few professional actors, and in the childrens acting their own fresh experience of wars turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázss influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boys escape, the locomotives wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a childrens community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movies structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form猫咪王羽杉吃鸡
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《欧洲的某个地方》相关问答1、欧洲的某个地方在哪个台播出？
极速影院网友回答：欧洲的某个地方在腾讯视频、豆瓣视频、芒果TV及爱奇艺都可以在线高清观看
2、网友对《欧洲的某个地方》是怎么评价的？
星辰影院网友回答：今天下午看了《欧洲的某个地方》的1948首映，很唯美，很温暖，很感人。在看电影的时候 中间有好几幕眼泪都要出来了，影片中语言不多，仿佛什么都没说，但仿佛什么都说了，很喜欢这样的电影。看完之后内心一下被带进去，整个下午到现在很久都没出来。
3、欧洲的某个地方什么时候上映？
八戒影院网友回答：该电影是在1948上映的，由导演Radványi Géza安排拍摄，上映以来获得了778次点评，在剧情片 中也算是翘楚了、
4、欧洲的某个地方在哪个情节是最好看的？
奇优影院网友回答：在中间部分演员Artúr Somlay,Miklós Gábor,Zsuzsa Bánki演技是相当精湛的，30岁女性在职场尴尬且微妙，既不如新人年轻又不如男性稳定，还随时面临婚育的选择，尽管很多女性有能力却没带项目的经验，换工作又没勇气重新开始，梁友安人间真实
5、欧洲的某个地方大结局结尾怎么样？
光棍影院网友回答：总的来说这部电影还是非常不错的，结尾虽然有点出乎意料，但是在这么多剧情片中已经算是非常难得了，IMDB评分6.3不是说说而已的。更多网友问题可以查看豆瓣电影或者百度问答了解详情。
极速影院网友回答：欧洲的某个地方在腾讯视频、豆瓣视频、芒果TV及爱奇艺都可以在线高清观看
2、网友对《欧洲的某个地方》是怎么评价的？
星辰影院网友回答：今天下午看了《欧洲的某个地方》的1948首映，很唯美，很温暖，很感人。在看电影的时候 中间有好几幕眼泪都要出来了，影片中语言不多，仿佛什么都没说，但仿佛什么都说了，很喜欢这样的电影。看完之后内心一下被带进去，整个下午到现在很久都没出来。
3、欧洲的某个地方什么时候上映？
八戒影院网友回答：该电影是在1948上映的，由导演Radványi Géza安排拍摄，上映以来获得了778次点评，在剧情片 中也算是翘楚了、
4、欧洲的某个地方在哪个情节是最好看的？
奇优影院网友回答：在中间部分演员Artúr Somlay,Miklós Gábor,Zsuzsa Bánki演技是相当精湛的，30岁女性在职场尴尬且微妙，既不如新人年轻又不如男性稳定，还随时面临婚育的选择，尽管很多女性有能力却没带项目的经验，换工作又没勇气重新开始，梁友安人间真实
5、欧洲的某个地方大结局结尾怎么样？
光棍影院网友回答：总的来说这部电影还是非常不错的，结尾虽然有点出乎意料，但是在这么多剧情片中已经算是非常难得了，IMDB评分6.3不是说说而已的。更多网友问题可以查看豆瓣电影或者百度问答了解详情。
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